Archive for July, 2010

Crossing the Gorge

Saturday, July 31st, 2010

Hello and welcome (myself) to the blog!  If you are reading this you are either A) my friend or B) a friend of 4wf. This is Clint; I am your literal jack of all trades, and I may be/will be using them all during this next month.

I got in last night here in Park City, and I didn’t think beforehand about how beautiful this place would be, but Park City Utah is beautiful.

From the Plane.

On the plane upon landing, James joked that he had kinda forgotten we weren’t shooting a film at Mike’s house.  It’s a shock being outside of New York City, with a film crew that consists of my close (or soon to be close) friends.

In Park City!

Last night was spent catching up with Keith, Mike, Derek, James and Sumi, while also meeting Will and Lee. We had a lot of fun walking around Park City; we found this great shop called the Chocolate Factory where we all bought Ice Creams. My only regret was not trying the Chocolate Covered Cheesecake!

James with the Best Sprinkle Cone.

Upon returning to our August Home, Derek expressed the idea of shooting the film in 2:35:1. So we spoke about using Anamorphic lenses, using other add-ons, or post changes, and we decided to do a test for tomorrow (today). Exciting.

Today we woke up at ten for our full crew meeting led by Keith Boynton (fearless Director) and set the plan for the day. Derek Van Gorder (our DP), Lee (our Grip Gaffer) and I set out to do some camera tests.

Derek Shooting Test Subject.

Lee.

Currently Derek and I are checking out the test footage from the 7D, the 5D, and the different lenses we have between us. After that we will test 2:35:1.
T minus 5 hours until we start. Check back tomorrow and we will probably have some interesting new developments.

Love,
Clint

Eat, Sleep, Make a Movie.

Los Angeles to Brooklyn to Park City

Saturday, July 31st, 2010

10 days, 3 timezones, 1 crazy whirlwind.

As Keith mentioned many days ago, I was in Los Angeles to shoot a short film, which was called The Rooster. We were at a horse ranch in Thousand Oaks, CA; place of serene beauty, which was an interesting contrast to the insanity of filmmaking. The script written by the Emmy-nominated Danny Strong, it co-starred Strong himself, Danny Masterson of That ’70s Show fame, Carla Gallo of every television show you’ve ever heard of, and ME, of, um, my infrequently visited website. It was pretty wild making a film with actors whose work I’ve seen before, a writer whose previous work I adore, and a fantastic director who I’ve known for years but who have never worked with professionally. I’m insanely excited to see what becomes of it!

Me in trendy clothing??? MUST be a movie!

This film is not nearly as serious as this still would indicate.

In a moment of calm, Carla and I Facebook, but not each other

A zonkey, or z-donk.

On earth, a little heaven.

Night

We wrapped The Rooster at 4AM, and at 730AM I was on a Jetblue flight bound for JFK. I had three nights in Brooklyn to unpack, do laundry, forget to pay rent, and repack. On Wednesday at 3PM I was on a Jetblue flight bound for SLC.

Yesterday Keith and I snuck into a brand new luxury hotel, The St. Regis, which has one of only two funiculars in America. Well, we sorta just walked right in. Turns out there’s not a lot of vagrants in Park City, so you can kind of just go wherever and people don’t ask any questions. It’s like being Canada, but with only rich people.

I can't even afford the bottled water here.

Fauvell will definitely be skinny dipping here before the end of August.

Tower of fire, unlit, hotel roundabout

The funicular is about to hit that poor insect!!!

Now I am at the condo in Park City, drinking as much Peets coffee as my nerves can stand, blogging, and preparing for 11 hours from now, when a brand new day will begin with a creative explosion the likes of which I’ve never seen.

Then then,

-ML

No, we’re not cheating! (But thanks for asking.)

Saturday, July 31st, 2010

Oftentimes, when I explain the premise of this project to new people, they give me a sly look and say something like, “Yeah, but come on, you do have a story idea, right?  I mean, you have something.”

I’m very flattered that people see me as some kind of devious criminal mastermind, but the answer is: no.  We have some location photos.  We have a partial cast.  And we have some sense of what kind of film it might be based on the kinds of films we’ve made so far.  But we don’t have a main character, or the germ of a story, or a theme, or a title, or any of that stuff.  We really are going to rely on our image bank and the inspiration of the moment.  Not because we have some kind of unshakable artistic integrity, but because it just wouldn’t be as much fun otherwise.

Cross my heart and hope to die.

I hope that clears that up!  But everyone should feel free to keep asking the question.  I kind of enjoy just shaking my head …

-KB

A Full House (well, getting there)

Saturday, July 31st, 2010

James Fauvell, Sumi, Clint, and Lee all arrived this evening on JetBlue Flight 87.  Will — our intrepid new production assistant from Los Angeles — drove to the airport to pick them up.  When they walked into the condo, I felt an enormous infusion of joy and energy; suddenly the whole place felt full and alive and bursting with good cheer.  The past few days with Mike, Derek, Gabi, and Will have been great, but with this fresh crop of arrivals, we’ve finally reached the tipping point.  This project is really happening.  And I really can’t wait.

-KB

Auditions are wonderful.

Friday, July 30th, 2010

Last night Mike and Derek and Gabi and I gathered at the beautiful Salt Lake City Main Library to audition the actors who had responded to our postings on Craigslist and Backstage Utah.  And boy, did Salt Lake City come through for us.  Fascinating people walked through the door — people of all ages, all backgrounds, from all over the country (and one from Ukraine!).  We asked each one to do a monologue, or tell a story, or tell a joke; then we asked them a few questions about themselves, while Derek rolled the camera.

Yeah, it's really this cool.

The stories that came out ranged from funny to heartbreaking, with many stops in between. All in all, eighteen people came into Conference Room Two, and each one revealed a little piece of him or herself — directly, indirectly, or a little of both. I was astonished by how openly people discussed their feelings and experiences. Questions of faith, sexuality, and suicide were raised and discussed with simple, unflappable candor — in a wonderfully generous way. Oh, and we saw some good acting, too! I came out of the experience feeling grateful and invigorated.  The world is full of strangeness and wonder and humor, and if we can’t capture some of it in this film, we are no kind of filmmakers at all.

My thanks go out to all those who auditioned, for waiting patiently and for sharing your stories with us.  We can’t work with all of you, but we will absolutely find roles for some of you.  And I couldn’t be more excited about it.

-KB

More Scouting Photos (including the purple lake!)

Friday, July 30th, 2010

Derek, Gabi and I spent all of yesterday scouting for locations — first in Salt Lake City, and then beyond it, out into the desert and the salt flats to the west. We found ourselves in some truly ghostly and desolate places, and we got so wrapped up in what we were seeing that we completely forgot to eat lunch.

The highlight of the day was a strangely-colored lake that we stumbled upon at the end of a long, deserted dirt road.  It was quiet out there — so utterly, implacably quiet that our voices sounded strange cutting through the silence.  I didn’t realize how much white noise I was used to ignoring until there was none to ignore.

Before we knew it, it was time to rush to the airport to pick up Mike; from there, we headed straight to dinner, followed by the 8:30 screening of Inception at the Gateway Mall.1  Today we did some more location scouting, followed by auditions.  I’ll do a post about the auditions tomorrow; for now, please enjoy our latest round of scouting photographs, courtesy of Derek Van Gorder!

Gabi and I stand on the edge of the Purple Lake.

Footsteps in the salt.

Road signs out in the desert seem to have some very well-armed enemies ...

A derelict train car, just off I-80.

I am the Keymaster.

Mike is the Devil.

Salt Lake City at night, seen from Choke Cherry Drive.

“I am just interested in what this movie is gonna be like!”

-Derek Van Gorder, reflecting on the variety of locations we’ve scouted thus far

So am I, Derek.  So am I.

-KB

  1. Yeah, it’s good. []

First Day of Location Scouting

Wednesday, July 28th, 2010

Cinematographer Derek Van Gorder got into Park City yesterday, and he and I spent the day scouting the surrounding area for interesting filming locations.  Of course, the scouting process is fairly speculative when you have no idea what the story will be — but what we quickly discovered was that each potential location entails a story.  It was impossible for us to discuss a piece of scenery or an interesting building without starting to dream up the kinds of scenarios that might play out there.  But — I hasten to add — we didn’t settle on anything!  That would be cheating.  Spitballing, that’s all it was.  Really fun spitballing in really cool settings.

Our first stop was Evanston, WY, just across the Utah/Wyoming border.  Derek spotted the Prairie Inn as soon as we got off the highway, and sure enough, it’s a hell of location.  It’s iconic, distinctive, and gently surreal; in many, it feels more like a film set than an actual place.  If we don’t end up shooting something there, I will experience a bit of heartache …

Exterior of the Prairie Inn...

... and the interior. Moody!

Next we pulled off the highway at an exit marked “NO SERVICES” (I love those signs!) and bumbled our way down a rough dirt road, jouncing and bouncing and vaguely wondering if we were even allowed to be there.  But I guess we were!  No sign said otherwise, and no one stopped to bother us, so we decided we were in the clear.

A man in a landscape. Timeless.

Some pretty rocks.

A little ways farther down I-80, we spotted what looked like a massive car graveyard running up a hillside.  We pulled in and discovered it was some kind of salvage yard — but one that, as a sign on a fence informed us, was definitely not open for business.

Is there anything more desolate than a junkyard that's CLOSED?

It looked like someone was living there, but no one came out and questioned us, so we remained unenlightened.  We’ll have to do some research on who owns the place.  It’s a really extraordinary spot — possibly the coolest thing we saw all day — and I’m already aching to shoot there.

Upon arrival back in Park City, we met up with our fabulous production assistant, Gabi Madsen, who’d been holed up at a Starbucks making calls about an audition space for Thursday.  Just as we arrived, she was finalizing a reservation at the Salt Lake City Main Library — a huge building famous for its impressive architecture.  Success!  Gabi joined us for the last of the day’s scouting, as we walked around Park City and photographed points of interest in the dimming evening light.

Gabi and I face off under different colors of light.

Tomorrow, the location scout continues in Salt Lake City, after which we’ll pick up Mike at the airport, grab dinner, and go see Inception.  Because it just needs to be done.

More photos when we’ve got ‘em!  And stay tuned for our write-up of the audition, too.

-KB

… and here I am!

Monday, July 26th, 2010

Nine state lines, six or seven cans of Red Bull, and 2,223 miles later, I have safely arrived in Park City — and so has the equipment I was carrying.  Victory!

For those who keep track of such things, it took me 59 hours, door to door — from 10:00 Friday morning to 9:00 Sunday night.  I spent the first night in Fremont, Indiana, the second in North Platte, Nebraska.  Saturday was my big day, mileage-wise; I logged 891 miles in four separate states.  Iowa was my favorite state, because of the gorgeous scenery; Pennsylvania was my least favorite, because of the weather and the traffic jams.  Road construction was rampant in every state I passed through, but it was generally more of an annoyance than anything else.

Since my trip was divided into three sections — Friday, Saturday, Sunday — and the Four-Week Feature will also divide (roughly) into three stages — writing, shooting, and editing — I’ve decided to see what I can glean from my three days of travel about the metaphorical journey that lies ahead.  A stretch?  Maybe so.  But after three days of near-continuous driving, you’d be stretching too!

Stage One (Friday/writing)

Progress will be slower and more halting than you’d hoped.  External factors (heavy rain, blocked roads) will make it hard to find a rhythm, and you’ll become frustrated by your relative lack of headway.  Don’t give up!  It’s okay to fall a little behind at this stage — as long as you don’t fall too far behind.

Stage Two (Saturday/shooting)

This is the longest and most grueling stage on paper, but you’ll be in the zone by this point, and you won’t want to take breaks.  You’ll take a masochistic delight in pushing onward without stopping, and watching the milestones fly by.  Just remember to keep eating.

Stage Three (Sunday/editing)

You’re proud of what you’ve achieved so far, but you’re starting to feel spent and stir-crazy.  Your breaks become longer and more frequent.  The end is in sight — but you’d better not fall short of it!  This would be a good time to draw on other people’s strength and energy; on the road, this means calling them up, but in the 4WF, they’ll be right there next to you.

Crossing the Finish Line

This is bound to feel a little strange — maybe even anticlimactic.  The place you’re arriving is familiar, but you’re seeing it in a new light.  Go slowly.  Breathe.  Treat yourself well.  And always remember: the end of every journey is the beginning of another!

-KB

Off I go!

Thursday, July 22nd, 2010

Today, I drove to Van Gorder Studios in Fairfield, CT, where I loaded up my mom’s Acura MDX with lights and c-stands and camera gear, all courtesy of Derek and his very kind father, Jon Van Gorder.  Tomorrow, I begin my drive west, accompanied only by CD’s, Red Bull, and of course my trusty cell phone.

The Route.

According to Google Maps, it’s 35 hours from Lakeville, Connecticut to Park City, Utah; I’m hoping to arrive Sunday night, and I’ll be picking up Derek at the airport the next day. Mike will join us two days after that, and the rest of the team will arrive on the 30th (minus Brigitte, whose flight gets in on the 31st, just twelve hours before the project starts).  This project is really happening!  It’s all a little hard to believe, but I’m excited.

The Goal.

Wish me wakefulness!

-KB

Back in Action

Tuesday, July 20th, 2010

Mike and I have been MIA from this blog, for wildly different reasons; I was on a kayaking/camping trip in the Idaho wilderness, and Mike was in Los Angeles starring in a short film!  I’ll let Mike talk about his experience when he feels the time is right; for my part, the river trip was marvelous, and I have nothing but good things to say about the great state of Idaho.

It really does look like this.

But now I’m back in New York, revived and refreshed and ready to take on the challenge of the Four-Week Feature!  With only three days to go on our Kickstarter campaign, we’re up to $5,698 of our $10,000 goal, with 97 backers.  Anyone care to be our 98th?  Or 99th?  Or 100th????

In other news, we’ve officially hired our first production intern, Gabi Madsen, and we’re very pleased to have her.  Gabi was the first applicant I interviewed for the position, and after our 20-minute phone conversation (I was in the Boise Airport Best Western, the night before my river trip began), I felt absolutely convinced that she was the right person for the job.  She’s bright, personable, organized, and passionate about filmmaking.  What more could we want?

I’ll be driving out to Utah this Friday, and before that I’ll be going crazy trying to get all my ducks in a row for the shoot.  Less than two weeks to go!  Watch this space as we scramble to get everything ready.

-KB